Features

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    <title>RegardingDesign</title>
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    <id>tag:typepad.com,2003:weblog-1642078</id>
    <updated>2008-11-20T07:37:00-05:00</updated>
    
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    <entry>
        <title>MWPAI part two</title>
        <link rel="alternate" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/mwpai-part-two.html" />
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        <id>tag:typepad.com,2003:post-58670596</id>
        <published>2008-11-20T07:37:00-05:00</published>
        <updated>2008-11-18T11:01:02-05:00</updated>
        <summary>The hub of the downtown scene in Utica -- in addition to the aforementioned brewery -- is a scruffy stretch of Genessee Street with the glorious Stanley Theater on one side and the Munson Williams Proctor Arts Institute on the...</summary>
        <author>
            <name>Laurel</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Art" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Exhibits" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Photography" />
        
        
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<div xmlns="http://www.w3.org/1999/xhtml"><p>The hub of the downtown scene in Utica -- in addition to the aforementioned brewery -- is a scruffy stretch of Genessee Street with the glorious <a href="http://www.stanleytheater.net" target="_blank">Stanley Theater</a> on one side and the <a href="http://www.mwpai.org" target="_blank">Munson Williams Proctor Arts Institute </a>on the other. In addition to its association with Pratt, the Institute includes a museum, a performing arts series, and a school of art for community members. We recently visited the museum, which includes Fountain Elms, a restored 1850s Italianate mansion that was one of the homes of the founding family and contains their collection of decorative art. Connected to this display of lush, overwrought, Victorian splendor is the high contrast of a 1960s Philip Johnson-designed museum wing that displays the more modern pieces of the collection as well as changing exhibitions. The permanent collection contains basically one of everything, as noted in this description from their web site:</p><p><span class="Arial2"><span><font color="#333333">&quot;The art collection
features more than 25,000 American 18th-, 19th-, and 20th-century
paintings, drawings, sculptures, 19th-century decorative arts,
photographs, European paintings, and European and Asian works on paper.
There are works in the collection by Copley, Dali, Frankenthaler,
Kandinsky, Mondrian, O&#39;Keeffe, Picasso, Pollock, Prendergast,
Rothenberg, Stella and Whistler. Also featured is the popular &quot;Voyage
of Life&quot; series by Thomas Cole. Decorative arts makers included are
John Henry Belter, Herter Brothers, Alexander Roux and Tiffany &amp; Co.</font></span></span>&quot;</p><p>While we were there, we enjoyed a fascinating show called &quot;Picturing Eden.&quot; which &quot;<span class="Arial2"><span><font color="#000000">...features the photographic work of 37 internationally recognized artists
who examine Paradise as a mythic, many-faceted place, one of
contemplation and restoration as well as loneliness and despair.</font></span></span>&quot; While there were plenty of expected forms of photography, from traditional to hyper-realistic digital manipulations, some of the most beautiful, subtle, and memorable work -- to me, at least -- were the two photographers who used nature directly in their work. Nope, not as a subject, but as a participant. One photographer left photosensitive paper outdoors and let the acids and chemicals of decaying organic matter form patterns of great complexity and fragility through natural chemical reactions. Another printed ghostly images from the Vietnam war directly onto live leaves which then dried and were entombed in glass. </p><p>Photography has often left me a bit cold -- it seems to me more a record of something than an expression of something. This exhibit changed my mind profoundly by showing me some of the new ways creative people are using this old technology to express feelings and stories of humanity&#39;s dreams, hopes, and failures.</p></div>
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    </entry>
    <entry>
        <title>MWPAI Part One</title>
        <link rel="alternate" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/mwpai-part-one.html" />
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        <id>tag:typepad.com,2003:post-58669794</id>
        <published>2008-11-19T07:18:00-05:00</published>
        <updated>2008-11-18T10:33:33-05:00</updated>
        <summary>Utica, New York is one of those former industrial cities that dot so much of our country -- miles of factory buildings standing empty, unused, windows broken, sagging sentinels to the loss of our manufacturing core. It&#39;s also a city...</summary>
        <author>
            <name>Laurel</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Design Education" />
        
        
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<div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://www.cityofutica.com" target="_blank">Utica</a>, New York is one of those former industrial cities that dot so much of our country -- miles of factory buildings standing empty, unused, windows broken, sagging sentinels to the loss of our manufacturing core. It&#39;s also a city trying to find it&#39;s way into a new economy based on education, the arts, tourism, high-technology, and perhaps most important of all, a vibrant local micro-brewery. (The 100 year old <a href="http://www.saranac.com" target="_blank">Matt Brewing Company</a> that makes the Saranac line of beers and soft drinks.)</p><p>The other thing Utica has which is of almost as much interest to wanna-be designers as good beer is <a href="http://www.mwpai.edu" target="_blank">PrattMWP</a>. This little enclave of a dozen buildings on the main drag is a kind of joint venture between the <a href="http://www.mwpai.org" target="_blank">MusonWilliamsProctor Arts Institute</a> (more about this place tomorrow) and the famed design school, the <a href="http://www.pratt.edu" target="_blank">Pratt Institute</a>, in Brooklyn, NY. This school provides the first two years of Pratt&#39;s Bachelor of Fine Arts in Fine Arts, Communications Design, and Art and Design Education. It&#39;s a great solution for students who want a less intense environment than Brooklyn for their first couple of years and would prefer a smaller student-to-teacher ratio (8:1) and a more closely-knit community. Not to mention proximity to that brewery I mentioned, along with their Thursday night music series and the famed <a href="http://www.boilermaker.com" target="_blank">Boilermaker</a> run, considered the biggest, best week-long party associated with a 15K run in the country. (There are other, shorter runs as well, and a post-run party at the brewery.) If that&#39;s not intriguing enough, consider the difference in cost: Utica&#39;s cost of living is a fraction of Brooklyn&#39;s, and the school claims they cost about $11,000 a year LESS than most four-year, private art colleges.</p><p>Utica is located in Central New York State, almost directly between and an hour-and-a-half away from the larger cities of Syracuse and Albany. It&#39;s also quite close to the Adirondak park for those designers who love the outdoors as much as their Macs. We&#39;ve been exploring its environs since moving nearby and discovering an ethnically diverse community with more Italian restaurants than you can count, interspersed with Middle Eastern, Asian, and Spanish holes-in-the-walls, as well. A recent renovation of a fabulous Art Deco theater, <a href="http://www.stanleytheater.net" target="_blank">the Stanley</a>, is promising. And there is also, as one would expect, a pretty cool arts scene which we are just starting to find, if all the tatooed, dredlocked, pierced, scarfed, and scuffed shoe crowd we saw at a recent art show is any indication.... </p><p></p><p></p></div>
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    </entry>
    <entry>
        <title>Do Not Disturb</title>
        <link rel="alternate" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/do-not-disturb.html" />
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        <id>tag:typepad.com,2003:post-58605024</id>
        <published>2008-11-18T07:30:00-05:00</published>
        <updated>2008-11-17T15:52:43-05:00</updated>
        <summary>My husband just came back from a business trip and brought me a very endearing souvenir. No, it???s not flowers or chocolate or jewelry. It???s the kind of thing only a communications dork like me would like. It???s ??? a...</summary>
        <author>
            <name>Laurel</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Marketing communications" />
        
        
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<p class="MsoNormal">My husband just came back from a business trip and brought
me a very endearing souvenir. No, it???s not flowers or chocolate or jewelry.
It???s the kind of thing only a communications dork like me would like. It???s ??? a ??? door
hanger from his hotel room. And why, you may ask, would this little memento be interesting to me? Because of the highly creative and funny message it contains.
Instead of the usual, curt, blah, ubiquitous, off-putting ???Leave me alone??? statement, this
door hanger says, ???Shhh???I???m hatching a plan to bust some little soaps out of
here. Do not disturb.??? Hysterical, no? And memorable. And ballsy. The piece is
even diminutive in size to go along with the conspiratorial tone.</p>



<p class="MsoNormal">I bring this up as an object lesson in marketing. There are
so many overlooked opportunities to make an impact on your customers or other
interested parties. Not by barraging them with product features and benefits,
but simply by showing a little personality. As I always say to my corporate
communications clients, it???s the difference between walking into a room and
announcing, ???I???m really funny and have a great sense of humor,??? instead of
walking in and simply telling a good joke.</p>



<p class="MsoNormal">This little door hanger will make me look into the Embassy
Suites next time I???m looking for a hotel. Something no typical ad or brochure
ever would have done.</p></div>
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    </entry>
    <entry>
        <title>The Cool School</title>
        <link rel="alternate" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/the-cool-school.html" />
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        <id>tag:typepad.com,2003:post-58509698</id>
        <published>2008-11-17T09:07:01-05:00</published>
        <updated>2008-11-17T09:15:43-05:00</updated>
        <summary>I recently saw a great art documentary, &quot;The Cool School.&quot; It&#39;s about the artists associated with the legendary Ferus gallery in the late 1950s and early 1960s in Los Angeles. But more, it&#39;s about how LA developed its own art...</summary>
        <author>
            <name>Laurel</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Art" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://regardingdesign.typepad.com/regardingdesign/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>I recently saw a great art documentary, <a href="http://www.pbs.org/independentlens/coolschool/" target="_blank">&quot;The Cool
School.&quot;</a> It&#39;s about the artists associated with the legendary Ferus
gallery in the late 1950s and early 1960s in Los Angeles. But more, it&#39;s about how LA
developed its own art &quot;voice&quot;. 



</p><p class="MsoNormal"><o:p style="font-family: Arial;"></o:p><span style="font-family: Arial;">The Ferus Gallery was begun by an art lover named Walter
Hopps. He was eventually joined in the enterprise by Irving Blum, who was the
deal maker, schmoozer, glad hander that put the fizz into the art drink. The
artists who showed there included the then-very-young John Altoon, Craig
Kauffman, Billy Al Bengston, Ed Ruscha, Ed Kienholz, Robert Irwin, and others.
These macho, cowboy artists, are pictured here:</span><br />
</p><p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535f56421970c-pi" style="display: inline;"><img alt="28cool-190" border="0" class="at-xid-6a00e5522a3a0c8834010535f56421970c " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535f56421970c-800wi" title="28cool-190" /></a> </p><p><a href="http://movies.nytimes.com/2008/03/28/movies/28cool.html" target="_blank"><br /></a></p><p style="font-family: Arial;"><o:smarttagtype name="PlaceName" namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:smarttagtype><o:smarttagtype name="place" namespaceuri="urn:schemas-microsoft-com:office:smarttags"></o:smarttagtype>

</p><p style="font-family: Arial;">The gallery ??? and the whole scene ??? got a big boost when
they brought an until-then unknown artist from NY to show a collection of his
soup can paintings. Yup, Andy Warhol had his first show at the Ferus. The film
documents not just the art, but the whole hippie, iconoclast,
anti-establishment, anti-NYC vibe that was going on and fomented at places like
the Ferus and its after-hours hang-out, Barney???s Beanery. The movie has used
some interesting techniques to aid in the storytelling, as described by a <a href="http://movies.nytimes.com/2008/03/28/movies/28cool.html" target="_blank">review</a> from the New York Times: &quot;The movie???s director, Morgan Neville, tells what followed through an
often fascinating, visually charming and intelligently edited mix of
found footage, home movies, still images and contemporary interviews,
ably assisted by a jazz score and narration from the actor (and
photographer) <a href="http://movies.nytimes.com/person/3197/Jeff-Bridges?inline=nyt-per">Jeff Bridges</a>.
The older footage is particularly delightful, including the sights and
sounds of a grinning, goateed Mr. Kienholz bargaining with a junkyard
dealer to buy a 1953 Cadillac door that probably ended up in one of his
amazing assemblages.&quot; They also include interviews with Frank Gehry, who apparently found, as he was coming up
in the world, the local architects a bit stiff and this crew much more
simpatico. You&#39;ll also find an interesting trick during some of the interviews: they
are filmed B&amp;W, in keeping with the archival footage they have, but they
let bits of color pop up, for example, in the bright cherry of a cigarette or
the red shoes of an artist.

</p>

<p><o:p>&#0160;</o:p><span style="font-family: Arial;">I have a personal interest in this crew because I spent a
lot of time as a toddler in the mid-60s wandering around the Ferus gallery and
Barney???s Beanery, weaving my way through the forest of adult legs, whining and
wishing I could go home and get away from all these lunatic,
slowly-getting-drunk, so-called grown ups. Because to me, then, that???s all that
they were. My mother attended </span>Chouinard Art School<st1:placename w:st="on"></st1:placename>,
now part of CalArts, with John Altoon ??? in fact, they were each other???s first
love ??? and all these now-famous artists were just the paint spattered,
cigarette smoking, cheap-beer drinking guys that hung around our house on the
weekends and whose antics scared the pants off the shy little girl that I once
was. So it???s rather interesting to look back from my mid-40s vantage point and
see what became of them all. And for your viewing pleasure, I will share with
you some never-exhibited early John Altoon paintings ( the colors are just a tad off ) that have been passed down
to me after my mother died ??? Altoon destroyed tons of his work, but
fortunately, she salvaged these from the garbage. The artists may have
frightened me, but even as a little girl, I did love their work???</p><p><span style="font-family: Arial;"></span>



</p><p class="MsoNormal" style="font-family: Arial;">The surfers is still my all-time favorite painting in the
world.</p><p class="MsoNormal" style="font-family: Arial;"><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535f48a45970b-pi" style="display: inline;"><img alt="AltoonSurfers" border="0" class="at-xid-6a00e5522a3a0c8834010535f48a45970b " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535f48a45970b-800wi" title="AltoonSurfers" /></a>
 </p><p class="MsoNormal" style="font-family: Arial;"></p>

<p class="MsoNormal" style="font-family: Arial;"></p><p class="MsoNormal" style="font-family: Arial;">This is a portrait of my mother, by Altoon.</p><p class="MsoNormal" style="font-family: Arial;"><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535fbc388970c-pi" style="display: inline;"><img alt="AltoonAnnePortrait" border="0" class="at-xid-6a00e5522a3a0c8834010535fbc388970c " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535fbc388970c-800wi" title="AltoonAnnePortrait" /></a>
 </p><p class="MsoNormal" style="font-family: Arial;"></p>

<p class="MsoNormal"><span style="font-family: Arial;"><br /></span></p><p class="MsoNormal"><span style="font-family: Arial;">He was famous for his bawdy sense of humor ??? this is a
drawing he made in one of her sketchbooks</span> in the mid 1950s.</p><p class="MsoNormal"><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535f48b06970b-pi" style="display: inline;"><img alt="AltoonSketch" border="0" class="at-xid-6a00e5522a3a0c8834010535f48b06970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535f48b06970b-800wi" title="AltoonSketch" /></a>
 </p>

<p class="MsoNormal"><o:p>&#0160;</o:p></p>

<p style="font-family: Arial;"></p><p style="font-family: Arial;"></p><p style="font-family: Arial;"></p><p style="font-family: Arial;"></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p></div>
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    </entry>
    <entry>
        <title>Business Cards</title>
        <link rel="alternate" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/business-cards.html" />
        <link rel="replies" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/business-cards.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-58348280</id>
        <published>2008-11-14T07:49:00-05:00</published>
        <updated>2008-11-14T17:54:10-05:00</updated>
        <summary>Having recently moved, I, of course, needed to get new business cards made. My &quot;old&quot; cards, which I&#39;ve had -- with some slight variations -- ever since I started life as a freelance writer, some eight years ago, were letterpress...</summary>
        <author>
            <name>Laurel</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Books" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Business" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Design" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://regardingdesign.typepad.com/regardingdesign/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>Having recently moved, I, of course, needed to get new business cards made. My &quot;old&quot; cards, which I&#39;ve had -- with some&#0160;slight variations --&#0160;ever since I started life as a freelance writer, some eight years ago, were letterpress printed on thick, Italian paper. Here&#39;s one&#0160;from the most recent incarnation:</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535eb0a3b970c-pi" style="DISPLAY: inline"><img alt="003" border="0" class="at-xid-6a00e5522a3a0c8834010535eb0a3b970c " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535eb0a3b970c-800wi" title="003" /></a> </p>
<p>I decided that it was time for a bit of an update. I still want the letterpress printing of course -- the tactile, retro quality is too lovely to forego. (Funny sidenote -- a printer I was interviewing some months ago told me that letterpress is coming full circle and becoming cool again, to the point where some young designers think it&#39;s a &quot;new&quot; technology...) I decided to forget the street address. I work with people all over the country and no one seems to care where I live. Even after I tell them, they don&#39;t really know where New York State is anyway -- like so many people, they think the city and state are somehow one and the same. Working with my friendly letterpress person in Burlington, Vermont, <a href="http://zoeink.com" target="_blank">Zoe Papas</a>, we came up with this simplified design, which we printed on multiple color stocks, mostly Strathmore papers:</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535eb0c08970c-pi" style="DISPLAY: inline"><img alt="001" border="0" class="at-xid-6a00e5522a3a0c8834010535eb0c08970c " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535eb0c08970c-800wi" title="001" /></a> </p>
<p>Since I was snapping pics of biz cards, let me also show you two other faves. Situation 7 is my husband&#39;s &quot;side&quot; business in buying old buildings and this card was designed by <a href="http://www.overit.com" target="_blank">Overit Media</a> in Albany. </p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e5852e970b-pi" style="DISPLAY: inline"><img alt="006" border="0" class="at-xid-6a00e5522a3a0c8834010535e5852e970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e5852e970b-800wi" title="006" /></a> </p>
<p>This two-part card with slipcase that&#0160;makes a cool, optical illusion as you slide out the card is something I picked up when I was interviewng Stefan <a href="http://www.sagmeister.com" target="_blank">Sagmeister.</a></p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e58559970b-pi" style="DISPLAY: inline"><img alt="008" border="0" class="at-xid-6a00e5522a3a0c8834010535e58559970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e58559970b-800wi" title="008" /></a> </p>
<p>And if you&#39;re finding yourself thirsty for business card design inspiration, check out this book, number eight in an ongoing series that showcases, as titled, &quot;<a href="http://www.amazon.com/exec/obidos/ASIN/1592534031/regardingdesign-20" target="_blank">The Best of Business Card Design.&quot;</a></p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535eb08d0970c-pi" style="DISPLAY: inline"><img alt="9781592534036" border="0" class="at-xid-6a00e5522a3a0c8834010535eb08d0970c image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535eb08d0970c-800wi" title="9781592534036" /></a> </p></div>
</content>


    </entry>
    <entry>
        <title>Something I Missed</title>
        <link rel="alternate" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/something-i-missed.html" />
        <link rel="replies" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/something-i-missed.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-58347656</id>
        <published>2008-11-13T08:35:00-05:00</published>
        <updated>2008-11-11T10:44:29-05:00</updated>
        <summary>If New York City is the premiere design center of the world, then it&#39;s not surprising that some of the most iconic designs of our times are associated with that city. The &quot;I-heart-NY&quot; logo, for example. And also the NYC...</summary>
        <author>
            <name>Laurel</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Community Service" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Design" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://regardingdesign.typepad.com/regardingdesign/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>If New York City is the premiere design center of the world, then it&#39;s not surprising that some of the most iconic designs of our times are associated with that city. The &quot;I-heart-NY&quot; logo, for example. And also the NYC subway map.</p>
<p>Apparently, back in May of this year, <a href="http://www.vignelli.com/" target="_blank">Massimo Vignelli</a> updated his original, 1972, design and did a limited edition printing of signed maps that were sold through <a href="http://www.mensvogue.com">Men&#39;s Vogue</a> magazine to benefit the nonprofit <a href="http://www.greenworker.coop/website_j/" target="_blank">Green Worker Cooperatives</a>, an organization in the South Bronx that is building an alternative green community. Not surprisingly, the entire run of posters sold out in three hours.</p>
<p>Here, for your viewing pleasure, for the many of us who were denied the pleasure of the actual poster -- which, incidentally, was priced at a reasonable $299.00 -- is an image. Props to <a href="http://mohawkpaper.com" target="_blank">Mohawk Fine Papers</a>; the poster was printed on archival, acid-free&#0160;Superfine Ultrawhite by <a href="http://www.taylortocci.com/" target="_blank">Taylor Tocci &amp; Co</a>.</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e57558970b-pi" style="DISPLAY: inline"><img alt="Vignelli Subway_Email" border="0" class="at-xid-6a00e5522a3a0c8834010535e57558970b " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e57558970b-800wi" title="Vignelli Subway_Email" /></a> </p></div>
</content>


    </entry>
    <entry>
        <title>IdN World</title>
        <link rel="alternate" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/poster-755mmh-x-620mmwmini-sketchbook-20-pages-of-sketch-artdvd-motion-graphics-animations-videos-wallpapers-and-ic.html" />
        <link rel="replies" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/poster-755mmh-x-620mmwmini-sketchbook-20-pages-of-sketch-artdvd-motion-graphics-animations-videos-wallpapers-and-ic.html" thr:count="1" thr:updated="2008-11-13T21:51:50-05:00" />
        <id>tag:typepad.com,2003:post-58343848</id>
        <published>2008-11-12T08:00:00-05:00</published>
        <updated>2008-11-13T21:51:50-05:00</updated>
        <summary>How to describe the world that is IdN? It&#39;s a publication, a web site, a book publisher, an events creator, but it&#39;s probably safer to say it&#39;s kind of an international graphics state of mind. Each issue of the magazine...</summary>
        <author>
            <name>Laurel</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Books" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Design" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Illustration" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Interactive Design" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Web/Tech" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://regardingdesign.typepad.com/regardingdesign/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>How to describe the world that is <a href="http://www.idnworld.com" target="_blank">IdN</a>? It&#39;s a publication, a web site, a book publisher, an events creator, but it&#39;s probably safer to say it&#39;s kind of an international&#0160;graphics state of mind. Each issue of the magazine -- which is huge -- doesn&#39;t just discuss some aspect of graphic design, but is itself an amazing demonstration of graphic design that pushes the boundaries of what print makes possible. Here&#39;s a few spreads from their latest issue on geometry:</p><br />
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e53ef3970b-pi" style="DISPLAY: inline"><img alt="15n5_feature_04" border="0" class="at-xid-6a00e5522a3a0c8834010535e53ef3970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e53ef3970b-800wi" title="15n5_feature_04" /></a> </p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e53f41970b-pi" style="DISPLAY: inline"><img alt="15n5_feature_05" border="0" class="at-xid-6a00e5522a3a0c8834010535e53f41970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e53f41970b-800wi" title="15n5_feature_05" /></a> </p>
<p>Each magazine usually comes with&#0160;a DVD as well, which brings the print, animation, interactive circle to a vibrant, ongoing, swirling, kinda close.</p>
<p>They also publish books with a distinctly international flair. A recent title, <a href="http://www.amazon.com/exec/obidos/ASIN/9789889959135/regardingdesign-20" target="_blank">Hijacked</a>,&#0160;&quot;delves into the practical and conceptual issues of the world of contemporary photography. Interviews provide a social comment on the socio-scape of Australia and America, and highlights talking points from discussions with artists on communication, social awareness, capitalism and the impact of commerce on identity and artistic practice.&quot;</p>
<p>Here&#39;s just a small sample:</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e55267970b-pi" style="DISPLAY: inline"><img alt="ElmoAmeliaAbu_RSchwartz" border="0" class="at-xid-6a00e5522a3a0c8834010535e55267970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e55267970b-800wi" title="ElmoAmeliaAbu_RSchwartz" /></a> </p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e552ae970b-pi" style="DISPLAY: inline"><img alt="Edzipco_8" border="0" class="at-xid-6a00e5522a3a0c8834010535e552ae970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e552ae970b-800wi" title="Edzipco_8" /></a>&#0160;<br /><br />Another interesting title is the recent book of British illustrator&#0160;Jon Burgerman???s work,&#0160;<a href="http://www.amazon.com/exec/obidos/ASIN/9789889959142/regardingdesign-20" target="_blank">Pens are My Friends</a>.&#0160;As further evidence of their multi-media approach, the book includes a DVD with plenty of motion graphics, animations, videos, wallpapers and icons, a poster, and a&#0160;sketchbook, in addition to the &quot;hundreds of pages of brain melting doodles, drawings, characters and colours.&quot;</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e55573970b-pi" style="DISPLAY: inline"><img alt="Burgerman_pens_are_my_friend" border="0" class="at-xid-6a00e5522a3a0c8834010535e55573970b image-full" src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e55573970b-800wi" title="Burgerman_pens_are_my_friend" /></a> </p>
<p>The <a href="http://www.idnworld.com" target="_blank">IdN website</a> includes YouTube videos, designer resources, more info on books and the magazines, and tons of other stuff. Check it out.</p></div>
</content>


    </entry>
    <entry>
        <title>E-Cycling</title>
        <link rel="alternate" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/e-cycling.html" />
        <link rel="replies" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/e-cycling.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-58340850</id>
        <published>2008-11-11T07:53:45-05:00</published>
        <updated>2008-11-11T07:53:45-05:00</updated>
        <summary>I have often heard graphic designers say that they started out studying engineering, but switched to design. Something about all that math. Well, I happen to be married to a mechanical/electrical/software/embedded systems/controls engineer, so I get to see the overlap...</summary>
        <author>
            <name>Laurel</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Sustainability" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://regardingdesign.typepad.com/regardingdesign/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>I have often heard graphic designers say that they started out studying engineering, but switched to design. Something about all that math. Well, I happen to be married to a mechanical/electrical/software/embedded systems/controls engineer, so I get to see the overlap in disciplines from the other side of the math divide. Believe me, the design that goes into electronics is fascinating and as artistic in it&#39;s own way as is graphic design.</p>
<p>The other thing that connects graphic designers and engineers is a love of electronic gadetry ... um, I mean, important and vital<em> tools</em>. Unfortunately for Mother Nature, many of these widgets contain toxic materials and are difficult to recycle. That, combined with the fast and furious turnover as companies make and people rush out to buy the latest and greatest, make for a disposal problem of epic proportions. And according to the electrical engineering association magazine, <a href="http://www.spectrum.ieee.org/" target="_blank">IEEE Spectrum,</a> it also has created a whole new vocabulary around &quot;E-cycling E-waste.&quot; In an engaging article, Paul McFedries outlines this new lexicon and what it means to consumers, the waste stream, and manufacturers of electronics.</p>
<p>The terms are interesting in and of themselves, but also for what they suggest about how we all should start thinking about what we make and produce, and how to be less consumptive and wasteful in the process. I think many of these terms could just as easily be applied to the products of graphic design, and certainly the products of our clients. How about making a brochure that can be &quot;upcycled&quot; into something different?</p>
<p>Here are just a few terms from the article. It doesn&#39;t appear to be available in the online version yet as the article was quite recent, but probably will appear eventually. And as far as design and electronics goes, I may ask my design engineer working away in the home office next to mine to contribute some thoughts to this blog one of these days...</p>
<p><strong>E-waste:</strong> discarded computers, monitors, cell phones, etc.</p>
<p><strong>E-scrap:</strong> the fastest growing segment of the garbage system.</p>
<p><strong>WEEE:</strong> waste electircal and electronic equipment, many of which contain toxic heavy metals that can leach out and harm nearby ecosystems.</p>
<p><strong>Historic scrap or waste: </strong>obsolete electronics made by a company still in business.</p>
<p><strong>Orphan scrap or waste:</strong> obsolete electronoics made by a company out of business.</p>
<p><strong>Green gold:</strong> materials within discarded electronics that have value.</p>
<p><strong>Upcycling:</strong> taking used or recycled materials and creating a new product with a quality or value higher than that of the original materials.</p>
<p><strong>Technical nutrients:</strong> materials designed to be upcycled.</p>
<p><strong>Precycle:</strong> choosing to purchase items based on how recyclable they are.</p>
<p><strong>Cradle-to-cradle:</strong> extending a product&#39;s lifecycle by recycling it into a similar or related product.</p>
<p><strong>Certified destruction:</strong> the complete dismantling of e-scrap so it poses no danger to the environment.</p><br /><br /></div>
</content>


    </entry>
    <entry>
        <title>Fall Giveaway</title>
        <link rel="alternate" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/fall-giveaway.html" />
        <link rel="replies" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/fall-giveaway.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-58289382</id>
        <published>2008-11-10T09:26:04-05:00</published>
        <updated>2008-11-10T13:05:47-05:00</updated>
        <summary>Now that the fall season is kinda coming to a close, it&#39;s about time to give away those books I promised a few weeks ago. All you need to do is sign up to receive Regarding Design in your email...</summary>
        <author>
            <name>Laurel</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Books" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Color" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Contests" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://regardingdesign.typepad.com/regardingdesign/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>Now that the fall season is kinda coming to a close, it&#39;s about time to give away those books I promised a few weeks ago. All you need to do is sign up to receive Regarding Design in your email inbox -- just give us your email address over there in that box to the left and tap the &quot;subscribe&quot; button&#0160;--&#0160;and we&#39;ll pick two lucky winners from our subscribers to get a few exciting books on color and pattern and palettes. Looking out my window where everything is turning a dim shade of mousey grey-brown, I could use a dose of color; maybe you could too!</p>
<p>Sign up <em>this week</em>&#0160;and you could win a selection of books like these: <a href="http://www.amazon.com/exec/obidos/ASIN/1592530311/regardingdesign-20">Complete Color Harmony</a>, <a href="http://www.amazon.com/exec/obidos/ASIN/1592535011/regardingdesign-20" target="_blank">Color Harmony Workbook, </a>and <a href="http://www.amazon.com/exec/obidos/ASIN/1592534961/regardingdesign-20" target="_blank">Pattern Sourcebook, Around the World</a>. We&#39;ll pick winners on Friday, November 14.</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e292a8970b-pi" style="DISPLAY: inline"><img alt="Comp_col_harm_lg" border="0" class="at-xid-6a00e5522a3a0c8834010535e292a8970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e292a8970b-800wi" title="Comp_col_harm_lg" /></a> </p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e85061970c-pi" style="DISPLAY: inline"><img alt="Sendbinary" border="0" class="at-xid-6a00e5522a3a0c8834010535e85061970c image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e85061970c-800wi" title="Sendbinary" /></a> </p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e29330970b-pi" style="DISPLAY: inline"><img alt="9781592534968lg" border="0" class="at-xid-6a00e5522a3a0c8834010535e29330970b image-full" src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e29330970b-800wi" title="9781592534968lg" /></a> <a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e7c447970c-pi" style="DISPLAY: inline"></a></p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e7c417970c-pi" style="DISPLAY: inline"></a>&#0160;</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535e1f78b970b-pi" style="DISPLAY: inline"></a>&#0160;</p></div>
</content>


    </entry>
    <entry>
        <title>BeechNut</title>
        <link rel="alternate" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/beechnut.html" />
        <link rel="replies" type="text/html" href="http://regardingdesign.typepad.com/regardingdesign/2008/11/beechnut.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-58118334</id>
        <published>2008-11-07T08:18:00-05:00</published>
        <updated>2008-11-06T11:12:50-05:00</updated>
        <summary>Last week as I was driving home from visiting a young friend and a poetry reading she organized at her college, I decided to drop by the Arkell Museum, just a couple of towns over from here. (I&#39;d tried to...</summary>
        <author>
            <name>Laurel</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Art" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://regardingdesign.typepad.com/regardingdesign/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535de2277970c-pi" style="DISPLAY: inline"><img alt="Museum_front" border="0" class="at-xid-6a00e5522a3a0c8834010535de2277970c " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535de2277970c-800wi" title="Museum_front" /></a> </p>
<p>Last week as I was driving home from visiting a young friend and a poetry reading she organized at her college, I decided to drop by the <a href="http://www.arkellmuseum.org" target="_blank">Arkell Museum</a>, just a couple of towns over from here. (I&#39;d tried to stop by <a href="http://www.diabeacon.org" target="_blank">Dia:Beacon</a>, the uber cool sculpture museum on the Hudson in the up-and-coming town of Beacon, but for not the first time, I was thwarted by their only occasional hours. Sigh.) Anyway, the Arkell proved interesting enough, if not quite so ambitious or grand.</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535d77302970b-pi" style="DISPLAY: inline"><img alt="08_greene_mohawkvalley" border="0" class="at-xid-6a00e5522a3a0c8834010535d77302970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535d77302970b-800wi" title="08_greene_mohawkvalley" /></a> </p>
<p>The Museum is mostly given over to collections of art from the family that founded Beech-Nut Packaging. &quot;The American painting collection was established by Bartlett Arkell, the founder and first president of the <a href="http://www.typepad.com/site/blogs/6a00e5522a3a0c883400e5522a3a0e8834/post/6a00e5522a3a0c8834010535d75908970b/beechnut.html"><font color="#0066cc">Beech-Nut Packing Company</font></a>. The paintings he collected are recognized today as some of the best works created by leading late 19th- and early 20th-century American artists. Arkell built the art gallery attached to the <a href="http://www.clag.org/" target="_blank"><font color="#0066cc">Canajoharie Library</font></a> in 1927, and worked with MacBeth Galleries in New York to acquire a remarkable collection of American paintings. The collection includes 21&#0160;works by Winslow Homer, and important paintings by George Inness, William M. Chase, Childe Hassam, Mary Cassatt, Georgia O???Keeffe, Andrew Wyeth, Maurice Prendergast, Robert Henri, and other members of <a href="http://www.arthistoryguide.com/Ash_Can_School.aspx" target="_blank"><font color="#800080">The&#0160;Eight</font></a>&quot;, also known as the Ash Can group of artists.</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535d7732b970b-pi" style="DISPLAY: inline"><img alt="23_wall_eriecanal" border="0" class="at-xid-6a00e5522a3a0c8834010535d7732b970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535d7732b970b-800wi" title="23_wall_eriecanal" /></a> </p>
<p>Some of this artwork was commissioned to be&#0160;used in advertisements for various Beech Nut products. And&#0160;some of it was dedicated to showcasing the &quot;wholesomeness&quot; of the valley where these products were packed. And where I now live.</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535de2390970c-pi" style="DISPLAY: inline"><img alt="08_parker_girlwithjam" border="0" class="at-xid-6a00e5522a3a0c8834010535de2390970c image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535de2390970c-800wi" title="08_parker_girlwithjam" /></a> </p>
<p>Sadly, this plant is closing and moving downstate to a more modern building. The good news is that the new building is going to be LEED certified and supposedly Beech Nut is committed to working with the town to repurpose this old plant and all the jobs it contains.</p>
<p><a href="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535d77392970b-pi" style="DISPLAY: inline"><img alt="07_beechnut_ad" border="0" class="at-xid-6a00e5522a3a0c8834010535d77392970b image-full " src="http://regardingdesign.typepad.com/.a/6a00e5522a3a0c8834010535d77392970b-800wi" title="07_beechnut_ad" /></a> </p>
<p>The museum also had a fun, interactive exhibit where you could combine a digital image of one of the pieces of artwork with a Beech Nut product and type to create your own ad, which you could then print out as a postcard. Ah, the glory days when high art and commerce were combined....</p></div>
</content>


    </entry>
 
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ID CF_TEMPLATEPROXY
LINE 73
RAW_TRACE at cffeatures2ecfm1334683311.runPage(/home/laurelsaville/features.cfm:73)
TEMPLATE /home/laurelsaville/features.cfm
TYPE CFML
Type Expression
struct
AUTH_PASSWORD [empty string]
AUTH_TYPE [empty string]
AUTH_USER [empty string]
CERT_COOKIE [empty string]
CERT_FLAGS [empty string]
CERT_ISSUER [empty string]
CERT_KEYSIZE [empty string]
CERT_SECRETKEYSIZE [empty string]
CERT_SERIALNUMBER [empty string]
CERT_SERVER_ISSUER [empty string]
CERT_SERVER_SUBJECT [empty string]
CERT_SUBJECT [empty string]
CF_TEMPLATE_PATH /home/laurelsaville/features.cfm
CONTENT_LENGTH [empty string]
CONTENT_TYPE [empty string]
CONTEXT_PATH [empty string]
GATEWAY_INTERFACE CGI/1.1
HTTPS [empty string]
HTTPS_KEYSIZE [empty string]
HTTPS_SECRETKEYSIZE [empty string]
HTTPS_SERVER_ISSUER [empty string]
HTTPS_SERVER_SUBJECT [empty string]
HTTP_ACCEPT Accept: application/xhtml+xml,text/html;q=0.9,text/plain;
HTTP_ACCEPT_ENCODING gzip
HTTP_ACCEPT_LANGUAGE en-us,en;q=0.5
HTTP_CONNECTION close
HTTP_COOKIE [empty string]
HTTP_HOST www.laurelsaville.com
HTTP_REFERER [empty string]
HTTP_USER_AGENT CCBot/1.0 (+http://www.commoncrawl.org/bot.html)
PATH_INFO [empty string]
PATH_TRANSLATED /home/laurelsaville/features.cfm
QUERY_STRING [empty string]
REMOTE_ADDR 38.103.63.58
REMOTE_HOST 38.103.63.58
REMOTE_USER [empty string]
REQUEST_METHOD GET
SCRIPT_NAME /features.cfm
SERVER_NAME www.laurelsaville.com
SERVER_PORT 80
SERVER_PORT_SECURE 0
SERVER_PROTOCOL HTTP/1.1
SERVER_SOFTWARE Apache/1.3.37 (Unix) JRun/4.0 PHP/4.4.7 mod_auth_passthrough/1.8 mod_log_bytes/1.2 mod_bwlimited/1.4 FrontPage/5.0.2.2635.SR1.2 mod_ssl/2.8.28 OpenSSL/0.9.7a
WEB_SERVER_API [empty string]